Performance Schedule

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

An interactive performance between dancers and audience. A Total dance experience of suspense and great energy. Theatrical dialogue between the unique movement language of Kibbutz Contemporary Dance Company and the audience... 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

The show combines an original work by SuJeong Kim, which was created especially for KCDC 2, with selected excerpts from the work of Horses in the Sky by Artistic Director Rami Be'er. 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

The show combines an original work by SuJeong Kim, which was created especially for KCDC 2, with selected excerpts from the work of Horses in the Sky by Artistic Director Rami Be'er. 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

The show combines an original work by SuJeong Kim, which was created especially for KCDC 2, with selected excerpts from the work of Horses in the Sky by Artistic Director Rami Be'er. 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

.... What is a zebra? White with black stripes. Or black with white stripes? ... The newest work by Artistic Director Rami Be'er now touring! 

The show combines an original work by SuJeong Kim, which was created especially for KCDC 2, with selected excerpts from the work of Horses in the Sky by Artistic Director Rami Be'er. 

Kibbutz Contemporary Dance Company Dancers Create! 

Kibbutz Contemporary Dance Company Dancers Create! 

Kibbutz Contemporary Dance Company Dancers Create! 

Kibbutz Contemporary Dance Company Dancers Create! 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

The show combines an original work by SuJeong Kim, which was created especially for KCDC 2, with selected excerpts from the work of Horses in the Sky by Artistic Director Rami Be'er. 

The show combines an original work by SuJeong Kim, which was created especially for KCDC 2, with selected excerpts from the work of Horses in the Sky by Artistic Director Rami Be'er. 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

An interactive performance between dancers and audience. A Total dance experience of suspense and great energy. Theatrical dialogue between the unique movement language of Kibbutz Contemporary Dance Company and the audience... 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

Performance information of the 2020 Premiere by Artistic Director Rami Be'er to be announced towards Summer 2020 

Performance information of the 2020 Premiere by Artistic Director Rami Be'er to be announced towards Summer 2020 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

An interactive performance between dancers and audience. A Total dance experience of suspense and great energy. Theatrical dialogue between the unique movement language of Kibbutz Contemporary Dance Company and the audience... 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

Anyone Can! Raise your eyes to the horizon and look - your dream is waiting for you to realize it. 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

Anyone Can! Raise your eyes to the horizon and look - your dream is waiting for you to realize it. 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

Three special evening presenting the next generation of Israeli Dance at the International Dance Village. 

An interactive performance between dancers and audience. A Total dance experience of suspense and great energy. Theatrical dialogue between the unique movement language of Kibbutz Contemporary Dance Company and the audience... 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

Three special evening presenting the next generation of Israeli Dance at the International Dance Village. 

An interactive performance between dancers and audience. A Total dance experience of suspense and great energy. Theatrical dialogue between the unique movement language of Kibbutz Contemporary Dance Company and the audience... 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

Three special evening presenting the next generation of Israeli Dance at the International Dance Village. 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

An interactive performance between dancers and audience. A Total dance experience of suspense and great energy. Theatrical dialogue between the unique movement language of Kibbutz Contemporary Dance Company and the audience... 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

Anyone Can! Raise your eyes to the horizon and look - your dream is waiting for you to realize it. 

Anyone Can! Raise your eyes to the horizon and look - your dream is waiting for you to realize it. 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

Anyone Can! Raise your eyes to the horizon and look - your dream is waiting for you to realize it. 

Join our annual gala event for a special evening with friends and supporting partners of KCDC and our year-round operation of performance and dance education. 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Anyone Can! Raise your eyes to the horizon and look - your dream is waiting for you to realize it. 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

Anyone Can! Raise your eyes to the horizon and look - your dream is waiting for you to realize it. 

In his work ‘Asylum’, Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. 

"I came into the world on the 3rd of October 1957. I was brought up in Kibbutz Ga'aton. I went properly to school. As to gender, I'm a man.
Concerning class, I come from a good family. My name is Rami Be'er and I am a good citizen." 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Original Performances by Dance Journey Study Abroad Program Participants 

A special presentation by Choreographers Martin Harriague & Eyal Dadon 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

A special evening of dance premieres by guests choreographers at the International Dance Village, home to Kibbutz Contemporary Dance Company 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

A special presentation by Choreographers Martin Harriague & Eyal Dadon 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Join our annual gala event for a special evening with friends and supporting partners of KCDC and our year-round operation of performance and dance education. 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

A special evening of dance premieres by guests choreographers at the International Dance Village, home to Kibbutz Contemporary Dance Company 

A special evening of dance premieres by guests choreographers at the International Dance Village, home to Kibbutz Contemporary Dance Company 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

PITCH is a biography in motion about the Russian composer P.I.Tchaikovsky. A one-hour ‘dance-play’ performance created for 6 dancers dealing with his life and music.
 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A theatrical world where characters come to life. Intended to be performed in a theatrical arena or setting in elementary schools and high schools where the audience sit around the stage. The close proximity and interaction of the audience with the performing dancers, creates tension and uniqueness. 

A theatrical world where characters come to life. Intended to be performed in a theatrical arena or setting in elementary schools and high schools where the audience sit around the stage. The close proximity and interaction of the audience with the performing dancers, creates tension and uniqueness. 

An interactive performance by Roni Brendshteter for the entire family performed by KCDC 2; Kibbutz Contemporary Dance Company's Second Company 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A special performance by Choreographer Mor Shani, performed by Inbal Dance Theater at the International Dance Village. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

The influence of the memory of the holocaust on our lives today, Aide Memoire is not about the holocaust nor does it describe the holocaust. It deals with matters relating to present life ...  

In the modern era we are surrounded by an endless medium of communication; the internet, computers, mobile phones, 'signs', instructions, sensitization, question marks
...
 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

PITCH is a biography in motion about the Russian composer P.I.Tchaikovsky. A one-hour ‘dance-play’ performance created for 6 dancers dealing with his life and music.
 

PITCH is a biography in motion about the Russian composer P.I.Tchaikovsky. A one-hour ‘dance-play’ performance created for 6 dancers dealing with his life and music.
 

PITCH is a biography in motion about the Russian composer P.I.Tchaikovsky. A one-hour ‘dance-play’ performance created for 6 dancers dealing with his life and music.
 

PITCH is a biography in motion about the Russian composer P.I.Tchaikovsky. A one-hour ‘dance-play’ performance created for 6 dancers dealing with his life and music.
 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

Lullaby For Bach is an incisive observation of and about ourselves. The work calls our attention, even if unwillingly, to the processes of destruction and devastation perpetrated by man. 

Lullaby For Bach is an incisive observation of and about ourselves. The work calls our attention, even if unwillingly, to the processes of destruction and devastation perpetrated by man. 

Lullaby For Bach is an incisive observation of and about ourselves. The work calls our attention, even if unwillingly, to the processes of destruction and devastation perpetrated by man. 

Lullaby For Bach is an incisive observation of and about ourselves. The work calls our attention, even if unwillingly, to the processes of destruction and devastation perpetrated by man. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A theatrical world where characters come to life. Intended to be performed in a theatrical arena or setting in elementary schools and high schools where the audience sit around the stage. The close proximity and interaction of the audience with the performing dancers, creates tension and uniqueness. 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A space of movement in constant change. Empty spaces, splashes of color, moments of convergence. Landscape, a glance, a touch. A whiff of remembrance in time and space. 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse ... 

Special Event: 30.6-2.7.2016

 

PITCH is a biography in motion about the Russian composer P.I.Tchaikovsky. A one-hour ‘dance-play’ performance created for 6 dancers dealing with his life and music.
 

PITCH is a biography in motion about the Russian composer P.I.Tchaikovsky. A one-hour ‘dance-play’ performance created for 6 dancers dealing with his life and music.
 

Dedicated to the late parents of Artistic Director & Choreographer Rami Be'er; Shosha & Menny Be'er 

Lullaby For Bach is an incisive observation of and about ourselves. The work calls our attention, even if unwillingly, to the processes of destruction and devastation perpetrated by man. 

Lullaby For Bach is an incisive observation of and about ourselves. The work calls our attention, even if unwillingly, to the processes of destruction and devastation perpetrated by man. 

Lullaby For Bach is an incisive observation of and about ourselves. The work calls our attention, even if unwillingly, to the processes of destruction and devastation perpetrated by man. 

Lullaby For Bach is an incisive observation of and about ourselves. The work calls our attention, even if unwillingly, to the processes of destruction and devastation perpetrated by man. 

Choreography, Stage Design and Lighting Design: Martin Harriague & Eyal Dadon
Music: Alt – J, Bon Iver, Eyal Dadon, Martin Harriague, New Look, Minilouge, P. I. Tchaïkovski 

Lullaby For Bach is an incisive observation of and about ourselves. The work calls our attention, even if unwillingly, to the processes of destruction and devastation perpetrated by man. 

Lullaby For Bach is an incisive observation of and about ourselves. The work calls our attention, even if unwillingly, to the processes of destruction and devastation perpetrated by man. 

Lullaby For Bach is an incisive observation of and about ourselves. The work calls our attention, even if unwillingly, to the processes of destruction and devastation perpetrated by man.